Mother’s Milk

Some movies are more intriguing than they are entertaining or technically sound. Mother’s Milk, a psychological horror film from first time director Edward Pionke, certainly falls into that category. There are some very good ideas here and, given the limitations of the ultra-low shoestring budget, what is presented to us onscreen is fairly well realized. There are certainly faults with the film, but they are of the variety that money and experience will likely fix. Mother’s Milk has the feel of a director learning his way around a camera, but is a strong enough debut that I look forward to his future projects. 

Mother’s Milk, in both tone and story, is Psycho and Misery mixed together and wrapped in sexual dysfunction. Claude is a statistics professor with a dark fetish stemming from his troubled past. He kidnaps a recent college graduate in order to try and fill a very specific role in his life. As the days and weeks go on a bizarre sort of relationship forms between Claude and Kim leaving the viewer wondering who is really trapped. This is an extremely dark film that will likely leave the audience uncomfortable. I’m not sure I would want to meet the person that believes this has any kind of rewatchability factor. I recommend watching it once, after that you’re on your own. 

I must give praise to the two leads as Casey Chapman (Claude Rainer) and Mackenzie Wiglesworth (Kim Rodgers) both do a superb job in the film. Chapman manages to give believability and sympathetic qualities to a monster with a delicate performance that could have easily gone wrong in numerous ways. Wiglesworth plays the victim with a strength not typically associated with that role. Both do a great job of playing off of each other, which is fortunate since they are essentially the only two characters we see on screen for the vast majority of the film. This is the first film I’ve seen for each of them, but they showed enough that I hope to see them again.

The technical aspects are where the film falters, especially in regards to the lighting and editing. The lighting was one of the first things to strike me. Pionke uses his lights to create an atmosphere of shadows and while this can create some striking images it tended to muddle the compositions of scenes taken as a whole. This mixed with the editing issues really dampened the emotional impact of a few key scenes. I’m going to bet that Pionke came out of stage theater productions because many of the films scenes are staged and edited as if they were a play. There is virtually no coverage and most of the movie is done with two shots where both actors are in the frame at the same time. When the majority of the film takes place in a basement it wouldn’t hurt to use the editing to spice things up a bit at times. 

All-in-all I was pleasantly surprised by Mother’s Milk. It’s a solid debut for director Edward Pionke and actors Chapman and Wiglesworth. They’ve created a very dark and disturbing film, and while the technical aspects may not be there quite yet, they did succeed in storytelling, tone, atmosphere, and the ability to create a whole lot of tension with just two people in a basement. I’ll forgive the flaws when that much goes right on the first time out. Grade:B-