Boyhood is an extraordinary feat of cinematic achievement. It is breathtaking in ways that extend far beyond the story presented on the screen. Richard Linklater has created a film with such scope and patience that it stands as a one-of-a-kind experience that will stick with you long after it ends.
Richard Linklater is responsible for the Before series of films (Sunrise, Sunset, and Midnight) which rank as some of my most personally beloved films of all time. My effusive praise for those films factored into my expectations for Boyhood and try as I might to temper them those expectations were extremely high. This was easily my most anticipated film of the year and I am beyond elated to say that it is a magical experience.
The true uniqueness of the movie lies behind the screen. Ellar Coltrane plays Mason at 6 years old as the film starts, however he is also playing Mason at every other point in the film. The production for Boyhood started twelve years ago and Richard Linklater filmed the actors for a short period each summer. The same actors reprise their roles over the course of that twelve years which lets us watch this boy grow in a way that has never been captured before. We follow as Mason goes to school, makes friends, encounters new step-dads, and learns he who wants to be. Being able to watch the same actor play every scene during the transition from boy to man is astounding. All of the awkwardness of the teen years is in full display and the typical frustrations that accompany a boy learning to navigate the world are made all the more emotional when we have had the chance to watch that same boy grow up in front of our eyes.
Boyhood works on practically every level for practically any audience. The film may center on Mason, but as with life, the supporting characters contain their own stories. Patricia Arquette’s single mom resonates with truth and honesty and she attempts to make life work even if it is far different than the life she had planned. Ethan Hawke’s Mason Sr. traverses from a relative slacker to an everyday family man. What also resonates about Hawke’s performance is how he manages to be the most consistent male figure in Mason’s life even though he does not have custody and isn’t around all that often.
Each character has an arc that will resonate with different people for different reasons. Patricia Arquette’s single mom will certainly hit an emotional chord with any single parents out there trying to do what’s best for the family without sacrificing her own dreams along the way. As much as I can relate to some of the experiences of Mason, as a father I found myself intrigued by Ethan Hawke’s journey as he is more representative of my life at this time. I firmly believe that Boyhood’s ability to connect with an audience through multiple characters is what gives the film so much warmth.
As my praise borders on hyperbolic, I’ll suffice to say that Boyhood is an amazing experience that I will treasure for a very long time. It is easily one of the best films of the year. The independent nature of the film’s release will hinder it’s ability to find a mass audience, but I urge those that can find it to seek it out. Grade: A